January 15, 2008
This page was originally published at www.johnwilmot.com/quilts/6.html.
Posts about this project are tagged with wool aplique quilt.
Worsted Wool Apliqué – near future
Over the years, I’ve outgrown quite a few navy blazers, and I’ve kept many of them around for… some reason. Maybe this is it. I love the patterns of Hawaiian apliqué quilts, with a solid background and a single, large, interesting shape in a contrasting color sewn on top. The navy wool would be a perfect background and contrast beautifully with vivid colors, producing a simple but dynamic piece. That’s the theory anyway.
Hawaiian Aplique Quilt
Alternately, I considered a very simple design of lines, as above. Or possibly a quilt stitched in squares with smaller apliqué pattterns on each block, something like Adrinka symbols. Those may be beyond my skill level, but maybe I could use up some of the Harris tweeds I packed away. Talk about multi-cultural. A traditional Hawaiian-style quilt, featuring an African Adrinka symbol, worked up in handmade Scottish tweeds.
January 15, 2008
Originally published here: www.johnwilmot.com/quilts/5.html
Posts about this project are tagged with Pendleton Quilt.
Pendleton Quilt – next up in theory
Since living in Portland, I’ve collected several ruined Pendleton shirts and have been looking for a way to use them. I like the idea of making an authentic Oregon quilt, and those hokey, earnest woolen shirts were made in the state. They’re a genuine institution. Made here; worn here; worn out here. Now they’ll be refashioned here into a memory of this place.
Unfortunately, plaids, much as I love them, are hard to work into a pattern. The answer came from a book of Turkish carpets, of all places, where I saw a collection of riotous but paradoxically hamonious mixed patters on individual rugs. Everything was simply arranged in neat bands across the field, and in that way they reminded me of that other Pendleton institution, their blankets (like those above). How perfect.
So I’m (theoretically) going to use pieced strips, with the plaids cut at a 45 degree angle, creating dynamic diagonals in the stable and symetrically aranged parallel bands.
I’m not so sure about this idea, and I need more shirts before I get started anyway. We’ll see.